Gustav Mahler

Symphony No. 3 D Minor

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CD/ Track	Title	Duration
1.1	Symphony No. 3 D Minor First section - First movement	35:26
1.2	Symphony No. 3 D Minor Second section - Second movement	09:36
1.3	Symphony No. 3 D Minor Second section - Third movement	18:28
2.1	Symphony No. 3 D Minor Fourth movement	09:27
2.2	Symphony No. 3 D Minor Fifth movement	04:27
2.3	Symphony No. 3 D Minor Sixth movement	24:27
2.4	Music to "Rosamunde" D 797 Entr'acte in B minor - Allegro molto moderato	05:47
2.5	Six Pieces for orchestra op. 6-1 Langsam	01:05
2.6	Music to "Rosamunde" D 797 Ballet in G Major (second act) - Allegro moderato & Andante un poco assai	03:39
2.7	Six Pieces for orchestra op. 6-2 Bewegt	01:22
2.8	Six Pieces for orchestra op. 6-3 Mäßig	00:53
2.9	Music to "Rosamunde" G Major D 797 Ballet in G Major (fourth act) - Andantio	04:50
2.10	Six Pieces for orchestra op. 6-4 Sehr mäßig	04:31
2.11	Music to "Rosamunde" B flat Major D 797 Shepherds' Melodies B flat Major - Andante	01:07
2.12	Six Pieces for orchestra op. 6-5 Sehr langsam	02:21
2.13	Six Pieces for orchestra op. 6-6 Langsam	01:34
2.14	Music to "Rosamunde" B flat Major D 797 Entr'acte B flat Major - Andantino	06:38

available

25,95 EUR

: SCM Hänssler
Art.-No.:: 093.017.000
: Doppel-CD
: 60 S. Booklet
Duration:: 1:35 hrs.
: December 2000
: *recommended retail price

Mahler, Gustav: Symphony No. 3, in d minor
Schubert, Franz: “Rosamunde” D. 797 together with
Webern, Anton: Six Pieces for Orchestra, op. 6
Cornelia Kallisch, alto
SWR Radio Symphony Orchestra, Baden-Baden and Freiburg
Michael Gielen, Conductor

“The simple fact that the listener is taken seriously as a spiritual partner [in these works] compels me to deem the performance of this music absolutely necessary.” Quote Michael Gielen. Following the enthusiastic critical acclaim of Gielen's recording of Mahler's Second Symphony, faszination musik brings this conductor's insightful interpretation of the mighty Third Symphony. For collectors who like their Mahler with “snap” as well as spiritual depth, look no further, this is a performance that will satisfy on all counts. The remainder of the program, featuring the now familiar coupling of Schubert and Webern – in a montage –continues the intensity and the warmth.