Heinrich Schütz, Dietrich Fischer-Dieskau

Dietrich Fischer-Dieskau sings Heinrich Schütz

Historic Recordings 1953/54/57/59

for an audio-preview click on a speaker-symbol:

CD/ Track	Title	Duration
1.1	Frohlocket mit Händen SWV 349 Geistliches Concerto for Tenor, 2 VI. and b.c., aus Symphoniae sacrae II, op.10	04:45
1.2	Der Herr ist meine Stärke SWV Geistliches Concerto for Tenor, 2 VI. and b.c., aus Symphoniae sacrae II, op.10	04:27
1.3	Die Sieben Worte unseres lieben Erlösers and Seligmachers Jesu Christi SWV 478 For Soli, Chor, Instrumente and b.c.,	21:14
1.4	Venite ad me SWV 261 Geistliches Concerto for Singstimme, 2 VI. and b.c., aus Symphoniae sacrae I, op.6	10:05
1.5	Eile, mich, Gott, zu eretten SWV 282 For Singstimme and b.c., bearb. for Singstimme, VI.,2 VIa., Vc. and Kb., aus: Kleine Geistliche Konzerte Teil I, op.8	03:49
1.6	O misericordissime Jesu SWV 309 For Singstimme and b.c., bearb. for Singstimme, VI., 2 VIa., Vc. and Kb., aus: Kleine Geistliche Konzerte Teil II, op.9	05:44
1.7	Fili mi, Absalon SWV 269 Geistliches Concerto for Bariton, 4 Posaunen and b.c., aus Symphoniae sacrae I, op.6	06:10
1.8	Singet dem Herren ein neues Lied SWV 324 Geistliches Concerto for Singstimme, 2 VI. and b.c., aus Symphoniae sacrae II, op. 10	05:21
1.9	Ich liege and schlafe SWV 310 Geistliches Concerto for Bariton and b.c., aus: Kleine Geistliche Konzerte, Teil 2, op.9	03:39

available

14,95 EUR

: SCM Hänssler
original title:: Dietrich Fischer-Dieskau singt Heinrich Schütz
series:: Archiv Reihe
Art.-No.:: 094.206.000
: Compact Disc
: 12 S. Booklet
Duration:: 1:05 hrs.
: September 2009
: *recommended retail price

During the 1950s, the voice of the young Dietrich Fischer-Dieskau exuded a special lyricism and melodic naturalness as no other had before him.
This claim is borne out by the current program of sacred songs by the great, early Baroque master, Heinrich Schütz. This recording is doubly valuable, not only for capturing a special moment in the career of one of the world's most beloved singers, but hearing him perform the music that was his first love. This unusual setting for Fischer-Dieskau magisterial voice will not only appeal to fans of early recordings of Baroque repertoire, but to all aficionados of great singing.