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Robert Schumann, Georg Grün, Ingeborg Danz, Christoph Prégardien, Sibylla Rubens, Yorck Felix Speer, Adolph Seidel, KammerChor Saarbrücken, Deutsche Radio Philharmonie

Requiem, der Königssohn, Nachtlied

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Track
Title   Duration
1.1 Requiem D flat Major op. 148 Requiem aeternam
04:05
1.2 Requiem D flat Major op. 148 Te decet hymnus
04:54
1.3 Requiem D flat Major op. 148 Dies irae
03:24
1.4 Requiem D flat Major op. 148 Liber scriptus proferetur
05:22
1.5 Requiem D flat Major op. 148 Qui Mariam absolvisti
04:56
1.6 Requiem D flat Major op. 148 Domine Jesu Christe
02:33
1.7 Requiem D flat Major op. 148 Hostias
00:59
1.8 Requiem D flat Major op. 148 Sanctus
03:47
1.9 Requiem D flat Major op. 148 Benedictus
07:06
1.10 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 1 Feierlich
03:27
1.11 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 2 Lebhaft
05:12
1.12 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 3 In mäßigem Tempo
02:32
1.13 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 4 Sehr lebhaft
02:26
1.14 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 5 Ziemlich langsam
06:22
1.15 Der Königssohn, ballad for soloists, choir and orchestra op. 116 Nr. 6 Feierlich bewegt
04:51
1.16 Nachtlied for choir and orchestra op. 108
09:47
available
18,95 EUR
SCM Hänssler
Art.-No.:
093.270.000
Compact Disc
20 S. Booklet
Duration:
 1:12 hrs.
March 2011

*recommended retail price

The current program presents three, unjustly neglected late choral
works by Robert Schumann. Indeed, much of Schumann's late music has suffered from harsh criticism; even Schumann's biographer Robert Schauffler simply says “… these (the late choral) works need not detain us.” Such judgments resulted more from a misunderstanding of the composer's intentions, rather than the quality of the works themselves. Schumann's Requiem Op. 148 was
written as a "companion" piece to his Mass Op. 147 and is an elegant and gentle acceptance of death. The work is beautifully scored and inhabits a world between Fauré's otherworldly peace and Berlioz's thunderous Last Judgment.
Der Königssohn op. 116 was one of three works for voices and orchestra composed by Schumann from 1851-53 to poems by the German revolutionary poet Ludwig Uhland. The composer envisioned the work being performed my mass choruses, deliberately writing simple, folk-inspired melodies, rather than focus upon the musical drama expressed in the poem. Schumann reserved his finest music for the character of the "Bard" - with whom he undoubtedly identified. The program concludes with an unquestioned masterpiece - the all-to-rarely performed Nachtlied op. 108. Here is Schumann at his finest - as well as anticipating the musical world of Brahms' "Deutsches Requiem."

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  1. Solo voice

involved persons

  1. Robert Schumann (Composer)
  2. Georg Grün (Conductor)
  3. Ingeborg Danz (Mezzosoprano)
  4. Christoph Prégardien (Tenor)
  5. Sibylla Rubens (Soprano)
  6. Yorck Felix Speer (Bass)
  7. Adolph Seidel (Bariton)
  8. KammerChor Saarbrücken (Choir)
  9. Deutsche Radio Philharmonie (Orchestra)